Walter Pater
Walter Horatio Pater (4
August 1839 – 30 July 1894) was an English essayist, literary and art critic,
and fiction writer, regarded as one of the great stylists. His works on
Renaissance subjects were popular but controversial, reflecting his lost belief
in Christianity.
Pater on Literature and Criticism
Pater distinguishes between ‘imaginative literature’ and ‘literature of
fact’. Poetry is literature of imagination. Books on science, history, etc. are
literatures of fact. Pater says that imaginative prose is also poetic, even
though it does not have metre and rhythm. Religious prose is also poetic.
Imaginative literature expresses the artist’s vision of life and nature. Pater
says that labour and painstaking efforts are also necessary in writing poem.
Hence poetry or literature in general is both an art and a science.
What is the function of great literature? Great literature serves to a)
increase happiness b) redeem the
oppressed c) enlarge our sympathies d) present new and old truths from a new
angle e) fortifies and ennobles our
minds and f) makes us aware of the glory of God. Great literature combats the
corrupting influence of the age.
Pater on Style
Pater finds three important ingredients in style. They are i)
diction ii) design and iii) personality. By diction, Pater means
the use of proper vocabulary, shunning obsolete or worn-out words, and also
uncommon and ornamental words. Pater says that the writer must use words
economically, extracting the utmost from every word and meaning more than he
writes down. It is the intelligent reader’s duty to discover the layers of
meaning compressed and kept hidden in each word by the writer. It is like the
miner using shovels and pickaxes to unearth the gold deposited deep down the
earth.
The second requirement of style
is design by which Pater means combining words into a unified whole. It is not
just a stringing together of sentences. The literary piece, whether it is a
poem or a drama, must be imbued with a cpmmon purpose, an architectural design.
Foreseeing the end in the beginning and
the end looking back to the beginning. Pater’s design reminds us of the
Aristotelian plot, with its beginning, middle and end, organically
inter-related.
The third requirement of style
is the writer’s personality which gives warmth and colour and even perfume to
the writing. It is the writer’s responsibility, which inspires every word. The
writer’s personality, in as much as the writer is noble and sublime, is not
only individualistic but also universal. Everyman speaks through the writer’s
mouth
Pater on Criticism
Pater says that a critic
should have three qualities. First, the critic should have tact and
sensibility. Second, he should be well-versed not only in literature but also
in science and philosophy. Third, the critic should have a noble vision. Only,
he can detect the true grandeur and nobility of the writer.
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